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| Prague City Street |
It was our second night in Prague and the Old City shops were closing early and making me angry. Prague is not cheap. And if they charge you $25 for soggy buns, the least they can do is have shops that stay open past four. Mark and I were being delayed by my constant diving into shops whose proprietors had forgotten to lock the doors. But even those were few and far between.We were running out of time to get to the real goal - the Charles Bridge at sunset.
So I gave up, handed Mark the map and (with great difficulty) walked by the storefronts. Beautiful glass blown figurines were displayed, jewelry filled with semi-precious stones in circular new inter-locked patterns, metal-workings of knights & Kings - mainly King Wenceslas I imagine. There were amazing works of art and beauty in which I would not partake. Because our hotel shuttle was run by a drunk vampire with lambchops and we got to the Old City far too late.
He got us here at 2pm (it was supposed to be 10am, but I imagine the sun angled wrong for him at that hour). I was irritated. We'd learned our lesson and would never again stay outside the Old or New City areas. But. How was I to know that there were only 2 shopping hours remaining when we he dropped us off? We saw sights for 2 hours. And then we went to the shopping areas and found them closed for no reason. No guidebook had shared this tidbit, this unique shopkeeper habit, and we had done our homework.
I was almost ready to break a storefront window from the increasing mix of no-shopping induced rage and helplessness when we turned a corner, and everything went quiet. There, without warning, was the Prague Castle at the other end of the Charles Bridge.
It looked as if someone had taken every Modern era castle, combined them with fairytale touches and drawings, before combining it all in a whirlwind of brick and mortar to create something breathtaking in description and detail. I was frozen, my mind blank at the sight of it.
The sun was just beginning its rendezvous with the horizon. The castle's red spires and candelit windows were highlighted by a mix of sun and approaching moonlight. The red-velvet towers and golden tributes to past leaders and religious icons glowed but still shined in the fading sun, and a meeting of castle and sea created something akin to a lovely ledge - the bottom part of an intricate frame. Of everything I've seen and done, this ranks only below the Kotel in Jerusalem and Michelangelo's David in pure beauty of experience.
And I was surprised because I am not a castle girl. Not big on tapestries. And the extravagance gets old sometimes. But not here. This was not a severely over-the-top display of wealth for the sake of displaying wealth (or, as the Project Runway judges would say, "your castle really would have benefited from some editing... I'm worried about your taste level."). This was a work of art honoring a royal family and the people. And, thankfully, there were no tapestries.
Once we'd gotten as many photos as the nice Asian couple behind us would take, we turned, and there was the entrance to the Charles Bridge.
The Bridge is fantastically designed with religious, political and historical artwork incorporated into the structure's very iron - like much of the Old City. There are beautiful crosses, gold workings inter-mixed with the regular lines and curves of a bridge, and artists lining each side selling stories, paintings and music.
It has an odd feel to it, this place. The Soviets weren't kind and driving into the main City areas there are still the sqaure, jail-like "Khrushchevki" apartments. They span the City outskirts as barren and demoralizing tributes to the dead Soviet leader and his precursor, Joseph Stalin. They are small, cement square rooms grouped together to form a larger cement square with dead grass in the center and no forseeable signs of life. Perhaps this is where the Vampires gather at sunset.
Inside the Old & New City areas of Prague there is a much warmer, more vibrant vibrant feel, although certainly not the feel of Western Europe or the US. This is a place that has suffered and it makes almost no effort to cover the pain. It wears it instead as a badge of survival. The people endured. They fought back. They won but they paid a price.
People are generally slow to help because there is distrust lingering in the air. Lost boys in the train station ask for money disguised as station employees, their eyes too glossy to be real. In transportation stations and the New City especially, there are more than the average scam artists - although, as a whole, they're not very committed to what they do. And I suspect some of that is because their hearts aren't in it. They feel they were meant to stand taller. There is the scam, and then there is guilt. I've never seen this anywhere else. There is desperation and then there is a very old soul waiting to reclaim the people.

And that Bridge. It felt like the home of the ghost, the soul waiting impatiently to take back its own. The people would likely say it was Wenceslas himself, the people's King, dead but not gone. As the sun set, one side claimed a view of the castle increasingly and ethereally lit from the inside as old oil-lamps were set ablaze. The sky exploded in a mix of pink, blue, yellow and red, each element growing more defined as the sun sank lower into the river. From the other side, a modern skylight was modestly lit from afar and barren trees collided with the fusion in the sky like something from Picasso's widely unknown (because it's non-existent) 'Bright Color' phase.

The musicians, skilled and enthralled in music, still proudly played for anyone or for no one. A few clearly trained and talented artists remained to sell paintings and sketches to whatever tourists remained. Old men walked the night talking about whatever it is that older European men talk to each other about on their nightly walks.
With the snap of a finger, the sunlit sky was gone, and along with the moonlight, a mist came to escort us back across the bridge. To our hotel. Where I really didnt want to go. Where there was the Czech version of a mojito created 2 days ago still gracing my bedside table because the cleaning staff's general motto was, 'Welcome! Now go f*ck off.'
We made it to the hotel shuttle pick-up location and our vampire was not there. Perhaps he was hungry and Americans are too salty for his palette. As the pick-up time passed, two Northern Irish couples, the men clearly souced, indicated through slurs and points that they too were now waiting for the shuttle. About 30 minutes after it was supposed to arrive we tried to call the hotel, but of course nothing was open to sell us a phone card after a payphone ate the one I had. Someone got ahold of them somehow, and they said he'd already been there... which was only true if the driver, along with his van, was invisible. Vampire or not, he wasn't coming back.
So, with no tickets (because the stores that sold them closed at 4 or 5), we all decided it would be a great idea to ride the buses back to the hotel. We had no idea where each bus went because we couldn't read the signs, but, honestly, why not? Taxis had long ago disappeared.
Hours were spent getting on and off buses and trying to read ridiculously complicated station maps, some of them in English. Two hours in, one of the men said what we were all thinking - "Well, there's six of us without tickets, they can't arrest all of us, right? Hahaha.... Right?"
I don't know how exactly, but a short four hours later, we were back at the hotel (for better or worse, I'm not entirely sure which). And, as predicted, there was my "mojito." We'd had some fun with our new North Irish friends and we'd arrived safely. I decided to just have a drink at the bar, take a shower and call it an interesting travel night.
And that's when I set the room on fire.
The room outlets were old and my appropriately outlet-fitted hairdryer proved too much. It started with a spark and a 'holy sh*t' from Mark, and then the cord was burning. Someone got the great idea to pour the mojito on it - because alcohol is always what you should turn to when extinguishing fires.
I learned something else then. My $20 "mojito" had little to no alcohol in it (it tasted like a Communist did something bad in a glass and added mint so I hadn't had a whole lot) because out went the flame like it had been doused in water. Thank God my hair was wet. Thank God nothing flammable wants to hang out in old-school Soviet hotel rooms. Mark called the desk and was told someone would probably come by tomorrow to take a look. 'Kay.
At least we'd seen what we'd seen. And we had some new North Irish friends. I would have requested a refund on the hotel, but you know what? I don't like vampires with drinking problems who have my credit card information angry at me. So we called it a stay, and the next day just headed out for London. London, where the wall sockets don't try to kill you.
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Buffalo Girl Travel Tips: When staying in Prague, and please do, stay in the Old City if you want old historical sights, including the infamous (and highly offensive) gorgeous blue clock. If you want more recent history, like the Velvet Revolution or Prague's general fight against the Soviets (astray bullet holes included), stay in the New City. But really, to understand the context of the latter, you have to see the former.
If you want local, albeit somewhat touristy, shopping, go to the Old City - but beware the menus of local restaurants if you're not intersted in learning whether you like things like boar testicles. If you want high end fashion boutiques, then the New City's your place.
DO NOT STAY IN A HOTEL OUTSIDE OF THESE TWO AREAS IF YOU DO NOT WANT SOMETHING TO CATCH ON FIRE WITHOUT ANYONE REALLY CARING IF YOU LIVE OR DIE.
As always, your safest bet is to google recent pictures of the place you're visiting and dress like a stylish local.