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| Vienna, Austria |
So, no. I have never watched the Bachelor. I don’t think the Bachelor is the hottest thing
since those big sunflares last month. I couldn’t pick the man out of a nicely
dressed, rose-holding man-ish line-up. I’m not saying I think I’m above reality
tv, that would clearly be a lie since I’m streaming half of the Real Housewives,
I just don’t like the brand of reality that the Bachelor brings.
My daughter is named after two things: (1) the Billy Joel song 'Vienna' (We grew up in NY, what do you want?) & (2) the city. But mainly the city because this is bigger than Billy.
I love Vienna, Austria.
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| Villazon as 'Werther' |
But ridiculousness is not necessarily bad. Mark & I had the chance to see a Mexican singer whom we’d never heard of before - Rolando Villazon. He was, rightly, one of the world’s most reknowned operatic tenors alive and performing. It was his comeback night after months off-stage with an injury. I later discovered articles about his triumphant return to Vienna all over the internet.
We arrived at the Opera House during a walk around town about 2 hours early, and we found a group of women with portable chairs hanging out around the building, talking excitedly about something in German. And that's when it hit me - these are Opera tailgaters. I'm from Buffalo. I know tailgating when I see it. We asked around and discovered through a mix of bungled English, German & French, that, sure enough, there was a great show to be seen & sausage was about to be shared. So we joined the tailgate line. 2 hours and 6 Euro later we had two tickets to one of the most sought after performances in the country.
The Vienna Opera House looks like it belongs in the opulent backdrops of Cameron’s ‘Titanic’ except that it’s real. And on land. And filled with ghosts & history anyone can experience. Gold filigree, purple velvet seats, green, blue & yellow intricacies carved in the walls and perfectly dimmed lighting. Each 'seat', whether sitting or standing, had its own small translator box conveniently located directly below your view of the stage so you could read, watch & hear what was said almost instantaneously.
Werther is in German, but we read every word on the little screens in front of us in perfectly translated English. There was intimacy like no other venue I’ve experienced because everyone so wanted to be there and share in the experience. And everyone was dressed to the nines - except the American tourists (hi) who just found out about the show 3 hours ago and were originally planning on a brewery.** (see below for 'Bflo Girl Travel Absolute' on how to change from brewery to opera attire in 30 seconds).
There are many stories that come with this experience, but this is about those moments at any great concert or show when the world around you begins to shrink. The circumference of activity defining your life grows gradually smaller and there is simply less room for worry or want. The music played. Darkness settled into your skin. Sights and sounds collided in the House, saturating you with intertwined images of bodies, costume & warm dusty air until everything ran together in a haze and, then Villazon gave his soul in his voice. The walls could be on fire and it would not matter. It was so real, this constructive connection, even flames would blend into the foreground. All that mattered was the voice in the vacuum.
For some time it was us and that voice. I’ve no idea
how long. It was like being in a trance. But it was at least 2 hours that Vienna & Villazon gave to us. For 3 Euro. I’ve paid a lot more for a whole lot
less.
Having done the equivalent of taking deep, soothing breaths for hours in a row simply by standing in place, the Viennese thanked Villazon with 5 standing ovations. There were tears of appreciation from both
singer and audience. Villazon, for his part, loved back. He must have to deliver that depth of performance. And then we went for ice cream & phenomenal hot chocolate at the stylish & comfortable Hotel Sacher cafe.
That’s one reason why I love Vienna. That’s one reason why Vienna is my daughter’s middle name.
And (nod to Billy), of course, she was waiting for me
that whole time.
Vienna
** Buffalo Girl Travel Absolute. I learned at the Opera House to always carry a nice looking scarf. This one was a checked Burberry-like number I'd purchased earlier for about the same price as my ticket. I slipped it around my neck in a smart tie and suddenly I was a version of dressy. Beautiful scarves are very inexpensive and they are travel magic. Wrap one around your neck and tuck in your hair to avoid messy hair/makeup look. Cover your shoulders or low-neck lines in churches, or tie one around your waist to create shape in an otherwise comfortable but boxy outfit, etc. And if you make it a neutral it will go with anything so you only have to pack one.



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